Archive for July, 2014

Richard’s 10 Rules for Totally Great Copy: #9

Saturday, July 5th, 2014

#9: Great copy leaves the reader understanding

I’m sure you’re thinking, “Of course the reader should understand.” My challenge is this: understand what? Because they should understand more than your tactical message. Buy this. Do that. Not good enough.

They should understand you—and why doing business with you is better.

Buyers purchase cachet not just product. They buy a brand.

Why buy an iPhone when Samsung is so similar? Because it’s cool! When I buy that iPhone I’m buying a little piece of the Apple legacy, of Steve Jobs. Damn … I want all that and I’m willing to pay a premium.

In my last post, I moaned about losing a bunch of ad samples.

Well I found a couple that make this point perfectly.

The first is by Oceanworks, a Berkeley mechanic. It was a small-space ad that ran more than 20 years ago in the East Bay Express. I’ve been inspired by it ever since.

It doesn’t say anything about rates or factory authorization. No coupons or specials. Just a sweet, simple message that conveys an idea bigger than the words.

I talked to these guys after I first saw the ad. And while the shop got booked for weeks in advance, I heard how everyone started telling them car stories. How their car speaks to them, too. And how they felt like these guys must be trustworthy based on a car’s gentle review.

Right? People took it seriously. I’m sure not literally. But what they came to understand is that this is a mechanic who cares, and that their car will notice the difference.

The next is from a campaign by Chiat/Day San Francisco for UC Berkely, by art director Mike Moser and copywriter Brian O’Neill (who went on to create Goldberg Moser O’Neill). It’s one of a series they did for alumni magazines and related media.

This may be a perfect ad. The headline is arresting, but honest, not hyperbole. We learn the science building at Cal is full of scientists who are mad at the conditions they work in. Call to action: contribute now and stop the madness.

Ad poetry.

Better still, it’s not just a whiny, institutional call for donations. It’s cheeky and wry. Helps the reader understand there are people who need my support, not just a stalwart school that wants my money.

Here are a couple of my own campaigns.

I discovered that sushi lovers all have their favorites, so this campaign focuses on that sublime pleasure. The reader understands that it’s more than just sushi—it’s the peak experience of enjoying what they love.

 The wonderful illustrations were done by Steve Lang, before he became an award-winning fine artist.

 

This campaign for St. James Hospital and Health Centers in Chicago was meant to remind women to get a breast exam and to remind their partners to remind them about it.

Sorry in advance for the crappy scans that follow.

This was for women’s magazines throughout Chicagoland.

This was for men’s magazines.

We could have just said, “Make your free appointment today.”

Instead, readers understand there’s more at stake than a long afternoon in the clinic. It was a bold departure because it didn’t pose a threat, but rather presented an opportunity.

It’s worth mentioning that these were presented to  a panel of nuns.

 

Lastly, a campaign for Oracle recruiting. I’m a little mixed about this one. After seven years working there, it’s a little hard to look at these without being cynical.

The Oracle workplace has always had a bad reputation. Oracle eats its young. Only the strong survive. Getting noticed equals getting fired. Etc. We turned those things into a positive and helped Oracle far exceed their university and professional hiring goals, even in the midst of an employment boom.

Because we helped readers understand there’s a method to the madness. That there’s something to do that’s so important, so vital that it’s worth the grind.

Semi-truth well told, I guess. These were done for TMP Worldwide, art directed by Gary Buck.

In all these cases, the net take of the ads is greater than the concept or the words on the page. They communicate implicitly that there’s something bigger, more important, more urgent than a product or offer.

Which is exactly what I think great copy should do.